$32 — General Admission
$27 — Fringe Button Holders
$24 — Seniors
$18 — Students
$15 — Economic Accessibility

Do you have a MN Fringe button? Get $5 off General Admission tickets with discount code FRINGE. Show your button at the box office when checking in.

A limited number of $15 Economic Accessibility tickets are available online for all performances. If not sold out, a limited number of pay-as-able tickets will be available at the door. View our ticketing policy.

AGE RECOMMENDATION: Ages 14 and up.

CONTENT AWARENESS
Adult themes of alcohol abuse, suicide, and traumatic memories.

Thursday 3/5, 7:30pm OPENING
Friday 3/6, 7:30pm
Saturday, 3/7, 7:30pm
Sunday 3/8, 2:00pm

Thursday 3/12, 7:30pm
Friday 3/13, 7:30pm
Saturday 3/14, 7:30pm
Sunday 3/15, 2:00pm*

Monday, 3/16, 7:30pm INDUSTRY NITE
Thursday 3/19, 7:30pm
Friday 3/20, 7:30pm
Sat 3/21, 7:30pm
Sunday 3/22, 2:00pm CLOSING

*We will offer the Sunday 3/15 matinee as a masking-required performance for our community. All other shows are masking-optional.

RUN TIME: 90 minutes, no intermission

Contact us at 612-874-6338 or boxoffice@openeyetheatre.org for accessibility information and requests. Learn more.

COVID PRECAUTIONS: All audience members will be required to wear masks during our Sunday 3/15 matinee performance. All other shows are masking-optional. The masking policy will be posted on the door.

View our COVID-19 Policy

Greg Brosofske has worked as a composer and sound designer in the Twin Cities and Chicago. He is a longtime collaborator with dance company Black Label Movement, and has written music for many theater productions, including shows at the Guthrie Theater, the California Shakespeare Theater, the Jungle Theater and many other Twin Cities playhouses. He has received two Live Music for Dance grants from the American Composer’s Forum, several MRAC Artist Initiative grants and a Jerome Fund for New Music to compose STRANGE HEART. He has written scores for several independent films including a score for Danish filmmaker Carlos Alvarez’s Human Rights, which won an award at the 60Second Short Film Fest in Copenhagen. In addition to composing music, he is also a coder, creates new media art, and incorporates generative digital projections as well as dancer/musician interactivity into his soundscapes.

Anna Hashizume is a Japanese-American singer-actor and voice teacher based in the Twin Cities area. After receiving both her Bachelors and Masters degrees in vocal performance, she is equally comfortable on opera and musical theatre stages, as well as onscreen. She’s worked with companies such as the Guthrie Theater, Chanhassen Dinner Theaters, Theater Latté Da, Fargo-Moorhead Opera, Open Eye Theatre, An Opera Theatre, Theatre Elision, Mixed Precipitation, Artistry Theater, and Minnesota Opera. Anna is a two-time honoree of The Schubert Club’s Scholarship Competition. She runs her own private studio, as well as being on faculty at St. Paul Conservatory for Performing Artists. She coordinates the Prelude Program at the MacPhail Center for Music alongside her colleague, Bradley Greenwald. She is also a Teaching Artist with Theater Mu.

Bradley Greenwald has performed opera, theater, music-theater, concert and recital repertoire with several Twin Cities’ arts organizations, including Jungle Theater, Theater Latté Da, Open Eye Theatre, Theatre de la Jeune Lune, Guthrie Theater, Children’s Theatre Company, 10,000 Things Theater, Nautilus Music-Theater, Minnesota Dance Theatre, James Sewell Ballet, VocalEssence, Frank Theatre, and Skylark Opera. He adapted Madeleine L’Engle’s novel A Wrinkle in Time into a libretto for Libby Larsen’s opera, and wrote the book and lyrics for C.,an adaptation of Cyrano de Bergerac (Robert Elhai, music), produced by Peter Rothstein and Theater Latté Da. Bradley is the recipient of a Minnesota State Arts Board Fellowship in music, the McKnight Fellowship for Theater Artists, and a 2006 Ivey Award. Bradley lives in South Minneapolis with his husband, John Novak, the ever-resourceful stage manager and props designer of the Jungle Theater.